Virginia Katz

land current

These three-dimensional paintings were inspired by the debossed texture of my two-dimensional topographs-on-panel and address our physical connection with and dependency on the landscape. Using only thick, acrylic paint, I built up these inches-thick, landscape paintings to emphasize the physicality of our world and to bring three-dimensional landscape painting into the tradition of what has been a two-dimensional painting practice. Many paintings emphasize natural disaster and the climate crisis we face. I form paint, peel it, cut it, sand it, layer it, and construct the works – all of paint. They are presented on the wall and on pedestals.

Debris Field

Acrylic on Panel
16” x 12” x 4”, 2017

Debris Field - detail -

Separation Anxiety

Acrylic on Panel
20” x 16” x 5.5”, 2015

Separation Anxiety - detail -

Flesh of Our Flesh

Acrylic on Panel
20” x 16” x 4.5”, 2015

Flesh of Our Flesh

Dry Bed

Acrylic on Panel
20” x 16” x 4”, 2015

Dry Bed - detail -

Breakdown, two views

Acrylic on Panel
72” x 52” x 6”, 2015

Breakdown - detail -

Installation View

These textural, topographical works-on-paper were inspired by the Place series when I began viewing satellite imagery on a regular basis in 2006. The series is ongoing. The works are the result of multiple layers of mixed media and mixed processes on paper. Beginning as monoprints, they then were printed onto a collograph and the process continued with stages of drawing and painting to create one-of-a-kind prints of imagined lands. These familiar places are the source of our shared nature. I think of the surface of the land as akin to, or anthropomorphized as, a human skin. Natural materials, such as leaves, vines, tree bark, and soil were incorporated into the transfers to form debossed, textural patterns of time-based, proto-topographical land forms.